COLOMBIAN VISUAL ARTIST BASED IN NEW YORK. MY PRACTICE EXPLORES PRECARIOUSNESS, ASPIRATION, AND THE AESTHETICS OF SURVIVAL - WHERE THE ORDINARY TRIES TO LOOK DESIRABLE.


Rueda suelta (2016)
Selected works exploring precariousness and the aesthetics of survival - where the ordinary tries to look desirable.
Bogota / New York
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
I work at the intersection of the ordinary and the desirable.
My practice explores how objects, materials, and images associated with precariousness, labor, and survival can be transformed into charged visual statements.Through sculpture, painting, and mixed media, I examine value, aspiration, and contradiction—where scarcity meets polish, and necessity becomes display. My work often draws from urban environments, informal economies, and everyday symbols, recontextualized through controlled finishes and deliberate composition.Rather than offering solutions, my work poses questions about success, visibility, and the systems we inherit and reproduce. It is less about answers, and more about friction.

Robert Saldarriaga. All rights reserved.
1K → 1M is a proposed artistic project exploring the mechanisms of value, belief, and speculation within the contemporary art system. Starting from a symbolic amount, the project examines how narratives, visibility, and expectation transform the perception of economic and cultural value.Conceived as an open-ended process, 1K → 1M unfolds through actions, objects, documentation, and public exposure, questioning the thin line between art, market logic, and collective belief. The project remains intentionally unresolved, emphasizing process over outcome.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga
Robert Saldarriaga. All rights reserved.
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Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Saldarriaga. All rights reserved.
Robert Sadarriaga. All rights reserved.
Robert Sadarriaga. All rights reserved.